Sebastiano del Piombo 1485-1547 Italian Sebastiano del Piombo Galleries
Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
Sebastiano del Piombo Visitation Date 1518-1519
Medium Oil on canvas
Dimensions 168 x 132 cm
La Sainte Famille avec sainte Catherine, saint Sebastien et un donateur Date ca. 1507(1507)
Medium Oil on wood
Dimensions Height: 95 cm (37.4 in). Width: 136 cm (53.5 in).
cjr Painting ID:: 82518
Sebastiano del Piombo La Sainte Famille avec sainte Catherine, saint Sebastien et un donateur Date ca. 1507(1507)
Medium Oil on wood
Dimensions Height: 95 cm (37.4 in). Width: 136 cm (53.5 in).
cjr
The Deposition Date 1516(1516)
Medium Oil on canvas transferred from wood
cjr Painting ID:: 83981
1485-1547 Italian Sebastiano del Piombo Galleries
Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.